The list includes the Hidden Cameras’ musical performance, Jordan Tannahil’s cinematic and theatrical staging of Post Eden, and number six is my poses during I w@s B*rbie.
(the following excerpt from the torontoist website)
We also mentioned in our cheat sheet how we loved Nina Arsenault’s show, for her insightful and droll observations on fashion and celebrity culture, and how the culture’s participants reacted to Arsenault’s serene interpretation of the famous plastic doll. But we also keep going back to Arsenault’s choreography in the show: it was all simple arm movements and slow, small steps, so as not to ruin the illusion that she is a life sized doll.
For the whole list cut and paste the link:
http://torontoist.com/2010/08/ten_things_we_loved_about_summerworks_2010.php